Chicago Sun-Times - by Richard Roeper
It's pretty trashy and sometimes stupid. But there was never a moment when I wasn't entertained on one level or another. ...read more

New York Magazine (Vulture) - by Bilge Ebiri
It is a movie that's alive in its own way, and a welcome surprise in a genre sorely lacking in them of late. ...read more

The New York Times - by Manohla Dargis
Hughes visual choices can feel borrowed and clichéd, but his regard for beauty often compensates for his blunders, as does the sturdy, reliable appeal of another story of good and evil, men and women, light and dark, glass and steel, sex and power. As it turns out, there are eight million and one stories in the naked city. ...

Austin Chronicle - by Leah Churner
Hughes creates a white-knuckle scene from a mayoral debate about zoning policy. You could've heard a Skittle drop in the packed house screening I attended. That, and Broken City's terrifyingly realistic car chase – another throwback to vintage Hughes – are alone worth the price of admission. ...read more

Entertainment Weekly - by Owen Gleiberman
The truth is that we're way past being outraged by these sorts of Crimes of the One Percent, not because they don't happen, but because the real version is so much more interesting. ...read more

Movie Nation - by Roger Moore
Director Allen Hughes ("The Book of Eli") hides the secrets well and stages a good fight and chase. But what's most entertaining about Brian Tucker's script is the lived-in feel it has. ...read more

Washington Post - by Stephanie Merry
Overall, this is an entertaining diversion. ...read more

Chicago Tribune - by Michael Phillips
For an hour or so, aided by the autumnal glow of Ben Seresin's cinematography, director Hughes maintains a firm handle on the story's turnabouts. Then the script goes a little nuts with coincidence and improbability. ...read more

Time Out New York - by A.A. Dowd
Broken City never asks its gumshoe to repent for the blood on his own hands, and the anticorruption - but pro-vigilantism - ethics here are especially murky. ...read more

NPR - by Mark Jenkins
As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well. ...read more

The A.V. Club - by Nathan Rabin
In spite of some punchy scenes, crackling dialogue, and fine performances, Broken City is hopelessly overmatched. It has Academy Award dreams, but a detective-show heart. ...read more

New York Observer - by Rex Reed
Ultimately, everyone in the movie is wasted, including Catherine Zeta-Jones, who provides great eye candy but has nothing important to say or do. Most of the roles are so ambiguous you end up scratching your head in the final reel, and some of the loose ends are so irrelevant they seem to have ended up on the cutting-room floor. With Russell Crowe, it really helps if you can read lips. ...read more

The Globe and Mail (Toronto) - by Liam Lacey
Performances, over all, are a mixed bag; Zeta-Jones does a fair, if incongruous, impersonation of a forties vamp, while Chandler and Pepper do well with limited screen time. As usual, Wright, as a Machiavellian police commissioner, transcends so-so-material to establish himself as the most complex character in the film. ...read more

Miami Herald - by Connie Ogle
If nothing else, Broken City manages to pull off a difficult feat: It's too convoluted to follow and simultaneously too simplistic to be believed. ...read more

Christian Science Monitor - by Peter Rainer
Directed by Allen Hughes and written by Brian Tucker, the film is a collection of crime noir oddments that don't add up to a full meal. ...read more

New York Post - by Lou Lumenick
To put it as positively as possible, there's never a dull moment in this flick - and that's not something you can take for granted at this time of the year. At the same time, though, there's rarely a believable moment in the script. ...read more

USA Today - by Claudia Puig
It tries to be a moody thriller, but cliched dialogue and too many coincidences make for a predictable and hackneyed film. ...read more

San Francisco Chronicle - by Mick LaSalle
It's never boring, but it lacks a cumulative impact. ...read more

ReelViews - by James Berardinelli
Whether the core flaw lies in the script or is the result of overly aggressive editing, the final result is offers only sporadic glimpses of the compelling thriller Broken City fails to evolve into. ...read more

Boston Globe - by Ty Burr
As the implausibilities and conspiracies and double-crosses pile up, Broken City paints itself into a corner. A plot can be confusing as long as the filmmakers themselves don't seem confused, but that's not the case here. ...read more

Portland Oregonian - by M. E. Russell
Quality-wise, the crime drama Broken City lives in a frustrating mid-range area: It's too complex and competently crafted to dismiss as junk -- but it's also nowhere near sharp enough to work as the serious grown-up detective movie it clearly wants to be. ...read more

Slate - by Dana Stevens
The movie's curious capacity for self-erasure makes it a tough one to write about; less than 24 hours later, I recall it with all the clarity of something I half-watched on a plane with a hangover in 1996. ...read more

Village Voice - by Scott Foundas
Broken City slogs through such fatigued plot "twists" as having one character confess to another without realizing he's being recorded. The actors look generally unhappy to be here, most of all Crowe, who seems even more miserable than he did in "Les Misérables." ...read more

Slant Magazine - by Andrew Schenker
Allen Hughes may suggest an air of pretty menace, but he does little to make the sequence work as a legible genre scene. ...read more

Variety - by Justin Chang
Competent but juiceless New York melodrama, an unpersuasive marriage of head-slamming action and middling civic intrigue that treats issues like gay rights and public housing as red herrings rather than actual talking points. ...

The Hollywood Reporter - by Todd McCarthy
Would have made for a fine film noir 60 years ago but feels rather contrived and unbelievable in the setting of contemporary New York. ...read more

The Playlist - by Drew Taylor
There are filmmakers who are able to weave social commentary through the arena of big budget entertainment, without having it come across as lopsided or boring; Allen Hughes, it turns out, is not one of these filmmakers. ...read more

Empire - by David Hughes
If this ‘power corrupts’ potboiler had been made in the 1990s — with, say, Andy Garcia, Gene Hackman and Kim Basinger — it would already have felt old-fashioned. Forget it, Jake, it’s no "Chinatown." ...read more

New Orleans Times-Picayune - by Mike Scott
Not only did Hughes shoot a handful of prominent scene-setting exteriors in the Big Apple itself, but he does an exceptional job of camouflaging his New Orleans scenes. ...read more

Los Angeles Times - by Betsy Sharkey
Nothing clicks, nothing resonates, everything's broken. ...read more

New York Daily News - by Elizabeth Weitzman
There is no urgency, and little honesty, to the convoluted goings-on unfolding here. ...read more

Time - by Richard Corliss
So Broken City stokes a lot of hopes. Too bad for all of us, the makers and the watchers alike, that it's a grimy botch. ...read more

Wall Street Journal - by Joe Morgenstern
The only reason to see this dreary parade of deception and venality is Mark Wahlberg's performance as a disgraced ex-cop caught up in the thick of menacing events he can't understand. It's striking how this tightly focused actor can find his own firmly grounded reality in the falsest of surroundings. ...read more

Arizona Republic - by Randy Cordova
There are plot twists galore, but they unfold in ham-fisted fashion, as if the screenwriter (newbie Brian Tucker) didn't know how to layer the mystery. Instead, the movie simply drops these secrets out of nowhere, in clunky fashion. ...