Set against the sexy, glamorous golden age of Formula 1 racing in the 1970s. Based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Hemsworth), and his methodical, brilliant opponent Niki Lauda, (Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing 1976 season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die.









Movie Reviews:
  • 100
    USA Today - by Claudia Puig
    Brilliantly captures the exhilaration that comes from facing death head-on. It's also an ode to joyous rivalry. more

  • 100
    Variety - by Peter Debruge
    Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances. more

  • 90
    Arizona Republic - by Bill Goodykoontz
    Howard, whose first job as a director was the 1977 Roger Corman-produced “Grand Theft Auto,” has captured what is surely the greatest racing footage ever shot. ...

  • 90
    Village Voice - by Stephanie Zacharek
    It's both a perceptive dual character study and, that rarity of rarities, a large-scale action movie for grown-ups, one worth leaving the house for. more

  • 88
    Rolling Stone - by Peter Travers
    It's Morgan's core script, full of humor, heartache and verbal fireworks, that lifts Rush above the "Fast & Furious" herd. more

  • 86 - by Laremy Legel
    Rush is one of those rare sports movies that’s compelling as both a drama and a spectacle. more

  • 85
    NPR - by Joel Arnold
    A swift-moving, character-rich biopic whose kinetic Grand Prix sequences are constantly being overshadowed by genuinely riveting scenes of ... people talking. more

  • 83
    The Playlist - by Kevin Jagernauth
    Rush is a pretty thrilling piece of pop entertainment. It's excitingly assembled and moves like a bullet, highly engaging and nerve-wracking when it needs to be and light on its feet elsewhere. more

  • 80 - by Andrew O'Hehir
    This is tremendously exciting cinema – shot by the boundary-pushing Anthony Dod Mantle – as well as old-school escapist drama with ample eye candy for viewers of all persuasions. more

  • 80
    New York Magazine (Vulture) - by Bilge Ebiri
    Rush satisfies our lust for both grand character combat and deadly gearhead spectacle. more

  • 80
    The New York Times - by Manohla Dargis
    Mr. Howard doesn’t just want you to crawl inside a Formula One racecar, he also wants you to crawl inside its driver’s head. ...

  • 80
    Time Out London - by Dave Calhoun
    Rush is fast, slippery, stormy and dangerous. more

  • 80
    Empire - by Ian Freer
    It rarely deviates from formula, but Rush wins big, delivering the most exciting F1 footage created for film. Like Hunt, it is sexy, funny, full of thrills. Like Lauda, it is intelligent, a bit blunt, but ultimately touching. more

  • 80
    The Hollywood Reporter - by Todd McCarthy
    Chris Hemsworth and Daniel Bruhl excel as, respectively, British wild man and hedonist James Hunt and Austrian by-the-books tactician Niki Lauda. more

  • 75
    Entertainment Weekly - by Chris Nashawaty
    Rush hits a few potholes, but in the end it reveals the psyches of two men who only feel alive when they're cheating death. more

  • 70
    Los Angeles Times - by Kenneth Turan
    Though one enjoys and appreciates Rush for what it is, it does not thrill the blood the way we have the right to expect a film like this to do. more

  • 67
    Christian Science Monitor - by Peter Rainer
    Rush isn’t bad, exactly, but it’s like a standard-issue male action programmer that somehow crept in from an earlier era. more

  • 67
    The A.V. Club - by Ben Kenigsberg
    Rush, in other words, is a foursquare sportsmanship movie, offering little in the way of surprises but plenty of earnest, satisfying thrills. more

  • 60
    New York Post - by Kyle Smith
    Rush, though it will win no trophies, is fine filmmaking, a smart, visually engorged, frequently thrilling tale of boyish competition — inspired by a true story. At heart it’s “Amadeus” on wheels, only this time Salieri is the Austrian. more

  • 60
    New York Daily News - by Joe Neumaier
    Howard, whose previous tales of men in professional peril include the topnotch “Apollo 13” as well as “Backdraft” and “Cinderella Man,” works with cinematographer Anthony Dod Mantle to create a style in the racing scenes that makes the most of every angle. By the time the final lap of Rush starts, we’re up for the ride. more

  • 50 - by Susan Wloszczyna
    I might have tolerated the film much more with the sound off. With the volume on, this movie feels like a mucho-macho Saturday morning cartoon—specifically Bugs Bunny toying with his eternal pursuer, Elmer Fudd. more

  • 50
    Wall Street Journal - by John Anderson
    For all its immersion in the roar, grease and danger of Formula One, the fact-based Rush — about the sport's great rivalry of the 1970s — is also more predictable than a pit stop, something well-suited to Mr. Howard. He's made perfectly palatable pictures, but never a truly great one, partly because he has such a weakness for the commercial and a consequent gift for the obvious. more

  • 40
    Time Out New York - by Joshua Rothkopf
    The movie leans on symbolic imagery that’s alternately tired and ridiculous: Hunt’s impatiently flicked cigarette lighter (yes, he’s a candle waiting to be lit) or a black-widow spider crawling up the stands of one particularly dangerous course. These are classic frenemies; their tale deserves more gas in the tank. more

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