Ip Man’s peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challen...
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The New York Times - by Manohla Dargis The Grandmaster is, at its most persuasive, about the triumph of style. When Ip Man slyly asks “What’s your style?” it’s clear that Mr. Wong is asking the same question because here, as in his other films, style isn’t reducible to ravishing surfaces; it’s an expression of meaning....read more
Miami Herald - by Rene Rodriguez The Grandmaster sets aside traditional story structure in its last 15 minutes and becomes one of the filmmaker’s free-form visual poems, suffused with melancholy and compassion....read more
The A.V. Club - by A.A. Dowd At the end of the day, the pesky imperative to convey information is still a driving force; more than anything Wong has ever made, the movie chokes on exposition, its more poetic concerns stifled by its surfeit of plot....read more
New Orleans Times-Picayune - by Mike Scott The end result feels like only half a movie. That half -- the technical half, with Wong's stylistic flourishes and the film's lush technical elements -- is a heck of a film. The rest of The Grandmaster, however -- the storytelling -- is anything but grand....read more